One of the observations that prompted me to write Collaborating with the Enemy was that the dynamics...
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Topics > Methods
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Does it have to be so difficult?
In February, I wrote about our work in the Omasati Region of Northern Namibia on the ASSAR (Adaptati...
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Rehearsing for a Change
In several recent articles, I have explored the relationship between my past work in theatre and the...
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Critique Fatigue
I have been struggling to write these blogs this year. In part it has been because I haven’t known...
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Moving Beyond What Is Currently Possible: Creativity, Risk Taking, and a Sense of “Promisingness”
I come to my work at Reos Partners after having spent more than 20 years as a theatre director. From...
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Collaborating with the Enemy
I am delighted to be able to report that, after three years of writing and rewriting, with much inpu...
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Facing the unknown can help us shape the future
I’ve recently returned from Ongwediva, a town in northern Namibia where my colleagues and I are wo...
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What If No Participants Were “Difficult”? Being Transparent About My Role As Facilitator
Our clients and colleagues often ask us how to develop the skills necessary to work in complex socia...
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Putting Ourselves Up for Revision: The Art of Multi-Sector System Change
I come to my work at Reos Partners after having spent 20+ years as a theatre director. From that per...
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The dreaded R Word
As another unpredictable year begins, already full of surprises, I’ve been thinking about what to ...
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The Good Rains
We’ve had a series of severe storms in Johannesburg this month. Parts of South Africa, including w...
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Is hope relevant?
As our work continues in creating a social lab to find ways to reduce levels of violence against w...